Weaving becomes a form of active translation, a code of communication that consolidates a feeling, a kryptogram. It is a correspondence between weaving and writing, similar practises or operations, binding threads, stringing together words into text to create a personal ‘lexicon’. My practice begins from a thorough study to explore the fabric’s structure through a developed understanding of the myriad complexities on weaving while breaking away from its fundamental constructions and translated into a personal haptic language. This complex narrative process is interpreted into a personal coding, starting from the draft notations, to the technical formulas and then to the fabric. The works that unravel follow the notations of this lexicon through deconstructed weaving codes. The weaving process and its meditative aspect are important as reading these works.

A digital archive library of more than 1500 physical woven prototypes reflects an extensive research work over the course of two decades, an elaborate depository on the process and technique as woven fabrics form their own identity.

In 2018 I was selected as a Master Artisan weaver by Michelangelo Foundation in Geneva and the work was exhibited at Homo Faber ‘The Best of Europe’ in Venice.

Selected solo and group exhibitions include: Part 2, Parthenonos 11, Nicosia (2025) ,Repetitive Acts – The Power of Weaving and Textile in Contemporary Art, Nimac, Nicosia, (2025), Soft Power at Das Minsk museum, Potsdam, (2024), ‘There is a new sun everyday, solo show, Andreas Murkudis, Berlin (2023), ‘Revelation’ international Biennial of Crafts, Paris (2022), ‘Best of Europe’ Homo Faber, Venice (2018); among others.

‘the weaver’s notes’ 2019 on Vimeo